It was controlled by a lone volume knob adding to its simple design. At first, the Stratocasters were fitted with an American 2-Point tremolo system and was later replaced by a hardtail bridge. Its neck was made of solid maple with a rosewood fretboard, although there have been some custom Stratocasters that were fitted with maple fretboards. The necks included a large s “CBS” headstock. He started off by using a standard Gibson ES , with all but the bridge volume knob removed, and the bridge pick-up replaced with a Seymour Duncan Invader bridge pick-up. This guitar was eventually covered with many different stickers including band stickers and clothing line stickers from Atticus Clothing , Macbeth Footwear and Famous Stars and Straps. This guitar can be seen in Box Car Racer live photos and in the studio videos for the Untitled Album.
Once in a while a product comes along that redefines its genre, changing the way we think, and ushering in a new era. This simple yet powerful concept allows you to assign different power amplifiers to each pre-amp channel …and footswitch between them. You can match any power amp to each channel and create your own fleet of dedicated, all-tube amplifiers from input jack to speaker, from 30 watts to The Road King even lets you assign a choice of speaker cabs per channel!
– 20th year of ! (now over 10M hits!) We salute our Nation’s military, past and present. IN WONDERFUL ALBANY, NY, USA. Updated: Veterans Day, Nov 11th,
If you’re not familiar with my site, it’s simple, and you’ll love it or hate it: It’s not a fancy site but it remains unchanged since ’98 and I firmly believe, “if it ain’t broke – don’t fix it. Just click on any underlined text and it should open a picture; if you move your cursor over the pic and there’s a magnifying glass displayed instead of your cursor, click the pic and it will expand it to larger size. Nearly mint — great guitar. After release of the first Performing Artist Series last year, Martin added the “4” models in , consisting of dreadnought, orchestra, and grand performance models.
The GPCPA4 shares characteristics from the big rich sound of the Dreadnought and the clarity of the Orchestra model and combines them for a sonic signature of its own. The Performing Artist Series feature a more parallel neck profile with a slimmer taper at the 12th fret, giving the guitar comfortable width in the first few frets plus a faster feel for lead-work up the neck. The new smaller bridge design reduces mass and increases the soundboard’s tonal response.
This is an excellent sounding acoustic, with a very round tone and good projection. Plugged in the tone is more natural than most other saddle transducers I’ve used and while the EQ’ing is limited, the mid-scoop design can change the character of the tone very distinctly, from tones similar to a dreadnought, jumbo, or even a parlor size. Here’s a great performance demo link.
For full specs, visit Martin’s site here.
Mesa Boogie Triple Rectifier Head
In accountancy, depreciation refers to two aspects of the same concept: Businesses depreciate long-term assets for both tax and accounting purposes. The former affects the balance sheet of a business or entity, and the latter affects the net income that they report.
Introduction. Please note that most of these Brand Names are registered Trade Marks, Company Names or otherwise controlled and their inclusion in this index is strictly for information purposes only.
It is an opportunity for us to reflect on the language and ideas that represented each year. So, take a stroll down memory lane to remember all of our past Word of the Year selections. Change It wasn’t trendy , funny, nor was it coined on Twitter , but we thought change told a real story about how our users defined Unlike in , change was no longer a campaign slogan. But, the term still held a lot of weight.
Here’s an excerpt from our Word of the Year announcement in The national debate can arguably be summarized by the question:
Mesa Boogie Groove Tubes Question
Last time I talked with him, Marvin was studying Sanskrit. Nobody uses this acronym. Aggie is itself abbreviated Ag, with plural Ags. Sine divided by cosine.
We would like to show you a description here but the site won’t allow us.
Mesa Boogie amplifiers are difficult to determine the age of, compared with other brands. The serial numbers indicate only the production order of the amp within the series. There is no date information coded into the serial number. In addition, Mesa Boogie makes a large number of special orders for amplifiers, so the presence or exclusion of features is not an indication of the production year. An estimate of the age for a Mesa Boogie amp can be made based on the “Mark” number of the amp.
Mesa Boogie produces about 1, amplifiers a year, which can be used to refine the estimate slightly more. Moderately EasyInstructions Check whether your Mesa Boogie amp is marked as a “Mark When geologists and archaeologists measure the age of rocks and fossils, they can do so in either relative age or absolute age. Relative age determines whether something is older or younger than something else; absolute age allows you to assign a time such as years, months or minutes to the age of an object.
Different methods are used for rocks and fossils because of their composition and the rate of decay of the isotopes in each one. The Geologic ColumnUsing the results of detailed stratigraphic, paleontological and correlation studies, geologists have developed a geologic column.
Having the issue in front of the amp would be something entirely different. Of course using time based effects in front of an amp with anything more than light gain does not sound good at all. In front of an amp with only a clean sound, it should sound good. But, it will likely not sound exactly the same as plugging the guitar directly into the amp for a number of reasons; i. Therefore, using the effects in the loop is necessary.
Serial Number on an Original Mark I Snakeskin combo that guards Randall Smith’s office at Mesa H.Q. (click to enlarge or for gallery) If you’ve ever had a hard time finding the serial number on your Boogie, this info will help.
It features an insane number of the high-gain dream machines that define the raw power, tone and emotion that is Metal, and a mind-blowing collection of rare vintage and modern stompboxes. You get 48 mind-numbing models ranging from modern and vintage high-gain amps and cabinets to classic stompboxes and luscious rack effects — all designed to bring out the inner shredder in you. Plus, it delivers response.
Real life, real world Amp response and feel, just like playing through your live rig. Get Connected To use AmpliTube Metal as a guitar or bass tone machine, you have to connect your guitar to your computer. Plus, you can configure two complete rigs and run in stereo. You can select different configurations on the fly as you see fit: The combinations are endless. Speaker, Mic and Room Control AmpliTube Metal features an incredibly detailed cabinet, microphone and room module that lets you virtually recreate your favorite recording space.
Then, you can control the room reflection and ambience utilizing the room mic positioning tool. All of mic placement options are freely movable just click and drag , so making adjustments to the room vibe are a breeze.
mesa triple rectifier
Originally Posted by tornadokick88 Hey people, I’m doing a dissertation on the comparison of Metallica production between Flemming Rasmussen and Bob Rock and I have a section about equipment and any alternatives that could have been used. Basically, I need to know what the complete differences between Marshall and Mesa Boogie amplifiers are, like how they work, what each of them sound like and why they sound like they do. It’s tough to find anywhere that compares the two in this much detail as most people are just interested in buying them and wondering which is best for their type of music.
Any information would be greatly appreciated!
Specifications What We Think The Mesa Boogie Triple Rectifier has become a new classic for those players looking for extreme tonal versatility across all genres and playing styles. From bold cleans to spongy overdrive all the way to blistering high gain territory, and all sorts of tweakable settings in between, the Triple Rectifier just about does it all As much as the Triple Rectifier offers, though, some players need a little And more is what the wizards at Voodoo Amps did.
We were all impressed with the improved low-end response and lightning fast articulation on all of the channels. Those Voodoo Amps guys definitely know what they’re doing! Check the specs on this one for more details on the modifications. This is what a Triple Rec was born to be! On the lower end of gain, in both Channels 2 and 3, RAW mode offers an excellent classic-rock style sound.
Please treat it with respect and operate it properly. Vacuum tube amplifiers generate heat. To insure proper ventilation always make certain there is at least four inches mm of space behind the rear of the amplifier cabinet.
When I say most everything it does not necessarily include absolutely every sub-genre, and I still like a high degree of musicality to accompany the overall Tone – however noisy and distorted it gets. As is ever the case, this is a balancing act between analogue and digital, passive and active circuits, hand-wired and PCB, and tubes versus electronics in some instances.
Overdrives and distortions make use of very specific component transistors silicon vs germanium, jfet vs mosfet etc. For instance, the fairly recent Strymon Riverside pedal has a mix of analogue and digital processing through four cascading gain stages – starting with analogue JFET transistors before progressing through several stages of digital processing. You could say that the pedal is just a tiny touch too clean in some senses. The below list goes from the lightest touch of boost-like gain to extreme distortion, from unique, singular sounding pedals to highly versatile distortion workstations as such.
There are some pedals that I could not fit within a specific category, but which I wanted to mention anyway – that is to say actual tube-driven mostly 12ax7-based amp-like pedals such as the BK Butler Tube Driver, Dean Markley Overlord Modded and Effektrode Blackbird. If you had to buy just one pedal that did near enough everything, you would likely go for something like the relatively new Elektron Analog Drive – with its 8 independent wholly analogue circuits.
Yet even this will have subtle variations when trying to dial in a particular known tone – based on specific component selection, circuit variations and specific configuration and deployment. My preferred Klon clone is the Wampler Tumnus – which adds in some delightful bottom end vs the original inspiration. It carries largely the same kind of flavour, but provides a slightly thicker, bassier tone which I love, but which several purists might dislike for similar opposing reasons.